Showing posts with label 1960s. Show all posts
Showing posts with label 1960s. Show all posts

Thursday, December 29, 2022

Book Review


The Movement:

A History Of the American New Left 1959-1972

by Irwin Unger

     Ah yes, the 1960s...that was the big hinge in American society during the twentieth century. Despite all the social divisions of the time, it was also an era when the American public collectively entered puberty, lost its innocence, possibly lost its mind, and still came out of the experience being chronically naive and immature, a problem that afflicts us to this very day. Among the changes of that time was a political shift to the far left among some segments of the youth culture. Irwin Unger’s The Movement chronicles this change of direction in a way that is both sympathetic to the cause and critical at the same time.

As the book opens, we get a quick run-down of the history of left wing activism going back to the free love communes of the nineteenth century, the brief rise and decline of the American Communist Party, the Civil Rights Movement of the 1950s, and the bland maintenance of the status quo by liberals throughout the same time. After white students from UC Berkeley went to the American South to support the Civil Rights activists, they came back to find the Free Speech Movement, led by Mario Savio, just beginning. Then the Students For a Democratic Society entered the scene. The SDS actually had its roots in the 1930s; traditionally anti-communist and anti-authoritarian, their vaguely stated objective was to increase citizen participation in the democratic process. They were hardly radical and in fact shunned the company of activists farther to the left of them. They were also a bit boring and unpopular. By the mid-1960s, their leaders saw that agitation against the war in Vietnam was becoming a trend, so they decided to latch onto that and came to be at the center of what was dubbed the New Left. Eventually they collaborated with the Black Panthers, but then split into three separate factions, one of which became the violent terrorist group known as the Weather Underground.

Unger’s book is effective because he takes a sociological approach in the beginning to examining the root causes of student rebellion. He properly identifies the demographic of white, middle-class teenagers and young adults as the as the core group of New Left activists. He questions why these people, presumably living in relative comfort would rebel so strongly against the system that sustains them and the answer he comes up with is a plain and simple one: boredom. Too much comfort without enough conflict leads to social anomie. Too little noise in a social system doesn’t lead to more efficiency, it leads to chronic agitation. Too many young people had seen their parents go to work for corporations, buy suburban houses and cars, then sit around doing nothing but watching TV in their spare time. The kids were hungry for life and excitement.

A lot of people have criticized the New Left and the counter cultures of the 1960s for being nothing but spoiled kids. Those critics fail to take something into account. Living a comfortable life does not mean that people who do so are required to check their humanity and morality at the door. Living comfortably does not mean you have to have an inhuman tolerance for racism or war. Nor does it mean you are obligated to slavishly accept the lifestyle the dominant society says that you have to accept. When we are told we live in a free society, we ought to be allowed to make choices about what we support and how we live our lives. If having enough money to live comfortably comes at the expense of our freedom of choice, we are nothing but a totalitarian society. The youth movements had every right to challenge American society and they were right to do so.

But anyhow, Unger goes on to examine the SDS and their relations with other groups like SNCC, CORE, the hippies, the Yippies, the feminists, the gay and lesbian liberation movement, and eventually the commune movements that continued on into the 1970s. What emerges is a portrait of the SDS as a group that had no real central purpose or direction, yet somehow they operated as a central motivational force that kept all the other leftists and counter-culturalists moving in the same direction. They weren’t channeling the New Left into any definite direction, but they were the momentum and catalyst that kept the fire burning for as long as it did. Unger rightly points out that their lack of true purpose caused their disastrous splits in the end, while also maintaining the government’s change in policies towards the war in Vietnam caused the anti-war movement to fizzle out. Then finally the violence of the Weather Underground, the Kent State Massacre, and the bombing of the Army Math Research Center in Wisconsin turned activists away from hardcore radicalism and back towards a more moderate and traditional liberal progressivism.

The Movement was written in the early 70s before the war had actually ended. Some historians say that a proper amount of time and distance are needed to write an accurate and effective history of a political or social movement like this. In Irwin Unger’s case, I have to disagree. His observations are sharp, realistic, and accurate. Being so close to the history he writes about gaves him a clear picture of what was happening around him. He was also detached enough as a writer to point out the flaws in the thinking and tactics of supporters of the New Left, even though he sympathizes with their plight. This may even be one of the most engaging accounts of this subject I have read so far.

The book ends on an interesting note. The author questions whether the uprisings of the 1960s would lead to any lasting change. His answer is that, as he saw it in his time, no, they didn’t. I have to disagree with him as it might not have been so obvious at the time. The 1960s initiated a series of social changes that are still being discussed today. The drug culture has become a mainstay of American society and the hedonism of the hippies eventually turned into things like disco. Issues of feminism, free speech, the rights of ethnic minorities, and LGBTQ people are still being discussed. The rebellion of hippies morphed into punk rock and other related things. Black Power resulted in hip hop culture and the influx of African-American people into the middles class. The Sexual Revolution has led to mass tolerance for most forms of sexual expression. And despite recent attempts at censorship from people on both the right and the left, there are no longer any taboos, given the proper time and place, on what we are allowed to discuss because of the leftist Free Speech Movement. The New Left may not have solved these problems directly within the time frame of their movement, but they laid the foundation for the America we live in today. The decade of the 1960s ended, but the forces it unleashed took on new dimensions, many of which benefited us immensely.       


 

Friday, July 15, 2022

Vintage Book Review


Rads:

The 1970 Bombing Of the Army Math Research Center

At the University of Wisconsin and Its Aftermath

by Tom Bates

     How did the 1960s end? Conventional perceptions point to the Manson Family murders and the stabbing of a concert-goer by a Hells Angel at the Altamont Speedway during a free Rolling Stones concert. The “end of the 60s” is actually more nuanced and complex than conventional perception will allow. For one thing, there were other events and disasters that contributed just as much to the darkening of that era’s optimistic mood. Take, for example, the bombing of the Army Math Research Center on the University of Wisconsin’s campus in Madison. Rads by Tom Bates gives a thorough and accessible account of what happened there in the summer of 1970, reminding us further that history is more complicated than the mainstream narratives, mostly fueled by the irresponsibility of the media and the entertainment industry.

The central, and most prominent figure in Rads is Karl Armstrong, a college dropout and hippy who joined the anti-war movement in 1968. He had come from a rough, working class background but did well enough in high school to make it to college. He wasn’t much of a student. With low grades and lack of enthusiasm, he dropped out before re-matriculating and dropping out two times subsequently. During his off-and-on college studies, he worked at a string of blue collar jobs and quit all of them, his own personal trend that continued up until the time of his arrest. Karl Armstrong actually loved the college life, or, at least, he loved everything about college but going to classes and doing homework. He made a lot of friends on campus and spent a lot of time hanging out there, even when he wasn’t enrolled. He also got involved in the drug scene and the political demonstrations put on by the New Left which was thriving in Wisconsin just as much as it was in San Francisco and New York City.

That is when things began to get dark. Karl Armstrong attended the Democratic National Convention in Chicago where the police began beating non-violent demonstrators with billy clubs and tear gassing them. In fact, two of them seized Karl and threw him in the river. After that, the peace movement began to turn violent. At first, Karl was dismissive of terrorist groups like the Weather Underground, but then after police brutality continued to be a problem at demonstrations held on the University of Wisconsin campus, Karl gave in and embraced terrorist tactics to end the war too.

Of other importance in this story is Karl’s younger brother Dwight who idolized him and followed him into one insane scheme after another. With assistance from various people, the two brothers set out on a bombing and arson campaign. Most of their attacks were miserable failures, but they did catch the public’s attention and Karl maintained clandestine relationships with two underground newspapers in Madison. They became known as the New Year’s Gang even though Karl preferred to be called by the gimmicky and pretentious title of Vanguard Of the Revolution. They became heroic figures in the activist community even though no one actually knew who they were.

While the police became more violent towards the demonstrators and the war in Vietnam seemed like it would never end, Karl and Dwight decided to do something more drastic. With the help of two other activists, they made a car bomb out of ammonium nitrate fertilizer and blew off the side of a building on campus, a building that housed the office of the Army Math Research Center which was a think tank that calculated probabilities to maximize America’s kill-count in Vietnam. A deeply moral question hangs over the entirety of this story: Is the bombing committed by the New Year’s Gang, a crime that mistakenly killed one innocent man, such a terrible crime in light of the hundreds of thousands of people killed by US troops in Vietnam whose only crime was being born citizens of that small Asian nation? Who are the real criminals here?

After that, the story follows the escape of the New Year’s Gang, their trials, and the effect the bombing had on the activist movement at the time.

One of the great things about this book is how well Karl Armstrong and his associates are brought to life. The author follows them around and describes them so they seem like people you can get to know. Karl was such a laid-back and peaceful person that he appeared to be incapable of ever blowing something up. In fact, he comes off as such a loser that it is hard to believe he ever pulled the bombing off. Being the loser that he was, he was also a friendly, kind-hearted young man that people felt comfortable to be with. The contrast between his persona and his crimes is starkly drawn and a little bit troubling. Just think of the calmest and nicest person you know and then picture them carrying out acts of terrorism.

Another thing that is great about this book is the way it is is written. It reads like a novel, especially in the way it describes the settings and the characters, and also in the way it switches between depictions of Karl, his family, the political scene, the university administrators, and law enforcement. It is one of those book where you feel like you are there watching things as they happen. In that regard, Rads is also an excellent depiction of a particular time and place. Bates does a great job of capturing the feel of the Midwest city of Madison and the feeling of its college town life with the bars, the frat houses, the student ghettos, the hangouts, and the drug scene. So much has been said about the hippies and the anti-war movement in the more populated urban areas of the country that a lot of people don’t realize it was happening all over, even in the flyover states.

Rads by Tom Bates is a great book in the way it depicts its time and place. It gives a lesser-known angle on the era of the late 1960s, further helping the reader to understand what happened then and why. It also makes you wonder if the 1960s really did end. More likely, they transformed as the radicals of the time entered the work force and brought new values to the American public. Psychedelic music turned into progressive rock, anarchist politics were turned upside down and embraced with anger in the Punk movement, and young people continued to do drugs. But after the bombing at the University of Wisconsin, political demonstrations returned to non-violence and activists became more confrontational as educators, lawyers, journalists, and in all kinds of other ways too. Rads will not only enhance your understanding of the 1960s, it will also enhance your understanding of the vast and complicated fabric of American society.



 

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