Showing posts with label book covers. Show all posts
Showing posts with label book covers. Show all posts

Wednesday, December 21, 2022

Book Review


Rack, Rope and Red Hot Pincers

by Geoffrey Abbott

     What an amazing thing human ingenuity is. Well, maybe not. For every amazing accomplishment our species makes, there seems to be something awful that happens in its shadow. We’ve built skyscrapers, computers, airplanes, and cured diseases. But we’ve also created the nuclear bomb and the American government. And our penal codes have a long-standing tradition of using torture as a means of punishment or for the use of extracting confessions from suspects. Rack, Rope and Red Hot Pincers by Geoffrey Abbott is a cute little book that catalogs and details the devices and methods of torture, most of which were employed in the Middle Ages, yet the narrative does extend into the twentieth century at times. You may want to ask yourself why you would want to read this when there are so many other books to choose from.

Geoffrey Abbott writes popular history books, most of which are related to medieval England and the Tower of London. As a historian, he appears to be a hobbyist more than an academic. He lays out the scheme of the book according to categories like use of straps, weights, racks, water torture, amputations and mutilations, and there is even an entire chapter, my personal favorite, dedicated to whips and flogging. The final chapter is about the ultimate punishment, the death penalty, and the variety of sadistic ways that it has been carried out. If you haven’t read this, you can imagine what kinds of details are used to fill in each chapter. It’s all written with minimal commentary, presenting the bare facts alone, with occasional puns and jokes, none of which are funny.

While the myriad ways in which pain is inflicted can be somewhat interesting for the morbidly minded, it is the context of the torture that interested me the most. Everything in this book is something done by law enforcement either to punish criminals or force them to admit to crimes. Often the crimes they confessed to were not committed by them and sometimes they were forced to implicate innocent people while under conditions of extreme distress. It doesn’t take a psychologist to figure out that a person being pierced with needles, crushed by stones, skinned with hot pincers, or having their limbs dislocated while being stretched on a rack will say anything the interrogator wants to hear in order to get the pain to stop. And yet these things are still going on in our supposedly more enlightened times; the Bush administration allowed for “enhanced interrogation techniques” to be used in the War on Terror including sleep deprivation, physically exhausting postures, solitary confinement, exposure to dangerous animals, and water boarding, the latter being a torture technique that was invented and frequently used in the dungeons of medieval Europe. So despite what they say on Fox News, it really is a form of torture. Of course, this book was written before the invasions of Iraq and Afghanistan, but the author would certainly have said something about that if he had written this at a later time or revised this edition. He does mention the use of torture in American prisons like Leavenworth, where the idiomatic phrase “being put on the spot” comes from, as well as methods of administering corporal punishment in America.

Another issue of note regarding the context of torture is how many people were imprisoned and tortured for the crime of heresy. About half of the methods described in this short book were inflicted for the purpose of disagreeing with church doctrine, practicing witchcraft, or simply being suspected of saying or doing something that ran counter to the religious principles of the day. The prosecution of religious heresies were largely in the hands of law enforcement. You have to wonder what is wrong with a society that allows the police to amputate a man’s tongue, cut off his nose, and gouge out his eye because he prefers to pray silently rather than aloud. In modern times, this would be considered a thought crime and it looks as though the worst criminals were employed by the police to punish such harmless transgressions and victimless crimes with the most sadistic cruelty imaginable. When the church could not control people’s minds, they turned them over to the government to control their bodies through extreme acts of cruelty.

Most of the other crimes that could get you tortured in the past were petty crimes like theft or public drunkenness. You could also be publicly disemboweled for insulting a member of the nobility. Of course, torture was a special punishment reserved for use against the lower classes, although admittedly there were some cases in which monarchs were beheaded due to political power struggles. Friedrich Nietzsche, in On the Genealogy of Morals, explained that the powerful classes need to express their power through acts of cruelty and violence, sometimes as a public spectacle, so the weaker members of society will receive a visual reminder of who has the most control. The practice of governing is inherently violent to its subjects and such cruelty needs to be displayed so we know what side of the fence we are on. Punishment is the right and the domain of the ruling class and those who take violence into their own hands are punished for crossing that line, not because of the pain and suffering they caused to others.

But Abbott didn’t intend this book to be a commentary on political theory, criminal justice, class conflict, or the irrationality of the human race. It is simply a book that describes torture in all its glorious forms. As such, for scholars, it works as a good source book, giving details of things that are often glossed over by historians covering more conventional themes in historical tomes. There might be times when reading medieval history where you wonder what is meant by thumbscrews or the strappado and the author doesn’t bother to explain because they are more concerned with the narrative at a macro level. I myself had never know what it means to be drawn and quartered until I read this book, despite having come across the term in dozens of other history books I have read.

As for why I read this book, I’ll simply have to say it was a matter of morbid curiosity. Aside from a handful of kinks that turn me on in the boudoir, and possibly the geeky delight I get from teaching syntax classes, I’m not especially inclined to inflicting pain on my fellow human beings, even when their stupidity disgusts me. But I remember going to a carnival funhouse when I was a kid. They had one room labeled the torture chamber with racks, whips, chains on the wall, and a swinging pendulum, made out of cardboard no less, right out of Edgar Allan Poe. A strobe light was flickering while they played a vinyl sound effects record of people moaning while iron chains clinked, wind blew, doors creaked, and cats screeched. The record was stuck and the carnies weren’t paying any attention so I laughed it all off and moved on. And here I am, decades later reading Rack, Rope and Red Hot Pincers.


 

Thursday, November 3, 2022

Book Review


Fire On the Mountain

by Edward Abbey


     How far should one man go to preserve the land he holds sacred? John Vogelin, the protagonist of Edward Abbey’s second novel Fire On the Mountain, insists on fighting to the death to hold onto his ranch where he was born, where he spent all his life, and where he planned to die. If this sounds like a commentary on freedom and macho American individualism, you are right. If this sounds like the premise for a gripping story, don’t get your hopes up too high though.

Vogelin is an 87 year old man who owns a ranch and some land in southern New Mexico. The government’s plan is to expand the White Sands Missile Range and Vogelin’s property is the only obstacle holding them back. They insist on seizing the land under the law of eminent domain, but old man Vogelin won’t budge. The ranch is all he knows and removing him from it would make the end of his long life a miserable one.

The supporting characters are his grandson, Billy, who is also the narrator. The young boy is visiting his grandfather for the summer, taking a vacation from his home in Pennsylvania. Billy prefers life on the ranch to that in his school and he plans to take over the property when Vogelin dies. The other supporting character is Lee Mackie, Vogelin’s best friend. Lee is a businessman, a native to the region, and the one who tries to be a negotiator and voice of reason for Vogelin as he fights with the government. Vogelin is the most complete character of the three; he has a simple outlook on life but we learn his motivations, his feelings, and the reasoning behind his stubbornness. From the other two, we learn not so much. Grandfather Vogelin is Billy’s hero and the boy vows to fight by his side to the end, but you might wonder at times why he is even in the story to begin with. He is a shadow to the main character and little more. Even the narration, which reads as if Billy is recalling the story from the vantage point of adulthood, does not actually need the first person subjective style that Abbey employs. It would be fine if written in any other voice. Lee Mackie serves a more definite purpose, acting as the conscience and counterpoint to Vogelin’s struggles, but we never really learn who he is as a person. We never learn how he met Vogelin or why he is so attached to the old man, even though he thinks the old man should sell his property to the government and move on. Thankfully, Edward Abbey learned from the mistakes he made in his earlier writings and went on to write better developed characters in his later works.

So what is a reader to gain from reading this short story with a generic plot and weakly-drawn characters? The best part of it all is the beginning when Vogelin, Billy, and Lee Mackie ride on horseback out into the mountains in search of a pony that wandered away from the ranch. The author does here what he always does best: describe the desert with its scenery, its stillness, its vast landscapes, big sky, and unique ecosystems. Abbey never fails to capture the essence of the New Mexico desert and this book is no exception. If you have been to places he describes you will know exactly what I mean.

This long passage also introduces two themes, one of which is important to the plot and the other is something that never gets developed to completion. The latter of the two is Billy’s confrontation with the desert. When on top of a mountain, he comes face to face with a mountain lion. Paralyzed with fear, the two stare at each other and this event transforms Billy’s life. The problem here is that we never really learn how Billy changed after that. Abbey doesn’t describe the meaning of this encounter and he never develops this theme subsequently to its occurrence, although it does get mentioned from time to time. We also learn that Lee Mackie had a similar type of experience when he was younger, but no details are given as to what the event was and how it effected him.

The other theme that gets taken up during their trek into the wilderness is the trio’s encounter with the military. In one scene, they get confronted by some belligerent soldiers from the air force who almost start a gun fight with them. In another part they find their lost horse, only to see it had been tortured, murdered, and mutilated by the same soldiers when they were drunk and had nothing better to do. Abbey’s portrayal of the US military is in no way favorable. And why should it be? This book was written in the 1960s and the anarchist author needed some antagonists for the plot’s conflict anyways.

SPOILER ALERT HERE. The rest of the story is anti-climactic. Grandpa Vogelin gets into a gunfight with government officials, though no one gets killed. The burning of his body at the end seems both significant as closure to the novel and symbolic as well of temporal man’s relationship to the eternity of nature. The fact that starting a massive fire in the desert to cremate Vogelin is a colossal act of stupidity ruined the ending a little bit. Forest fires spread rapidly and in the dry heat of New Mexico, this is not something to be messed around with. It is surprising that an environmentalist like Edward Abbey couldn’t see the ignorance of making a funeral pyre in such a poorly situated located.

Fire On the Mountain is almost a Western. It reads like an interpretation of the Western genre as seen through the lens of the Cold War and post-World War II America with a touch of 1960s counter-cultural defiance of authority thrown in. By today’s standards it would be considered a right-wing anti-government screed, but in Abbey’s day, fighting the government was purely a left-wing undertaking. Keep that in mind when reading anything by this author. It isn’t quite a Western because there isn’t enough action in it to make it much more than a desert drama with a half-assed gunfight near the end. If Edward Abbey hadn’t gone on to write great books like Desert Solitaire and The Monkey Wrench Gang, this short novel would have been forgotten long ago. But if you can’t get enough of Abbey’s talent for descriptive writing, and I certainly can’t, this might be worth a quick read just once. 


 

Monday, August 15, 2022

2 Sci-Fi Novels in This 1 Ace Double Volume




 

The Water of Thought by Fred Saberhagen

&

We the Venusians by John Rackham

2 novels in 1 volume from the Ace Double series

Ace Books Inc., 1965

mass market paperback







Tuesday, August 9, 2022

Scarce Edition of Kerouac's Most Eccentric Novel


Dr. Sax

by Jack Kerouac

Ballantine Books, 1977

1st edition/2nd printing

mass market paperback

Among the shadowy doorways and brown tenements of Lowell, Massachusetts, Jack Duluoz grew up. Always lurking in the dark side of his mind is the shadow of Dr. Sax, cape flowing, slouch hat half-concealing a malevolent leer. He is but one of the ghosts and monsters that inhabit Jack's fantasy world, where memory and madness are intermixed in a mad universe waiting to erupt. 

(copied from back cover)




 

Thursday, July 28, 2022

Forensic Psychology & True Crime Book Signed by Author


Let Me Take You Down: 

Inside the Mind of Mark David Chapman,

the Man Who Killed John Lennon

by Jack Jones

Villard Books, 1992, 1st edition/2nd printing

hardcover with dust jacket

SIGNED BY AUTHOR ON TITLE PAGE

In Let Me Take You Down, Jack Jones Penetrates the borderline world of dangerous fantasy, in which Mark David Chapman stalked and killed Lennon:

Mark David Chapman rose early on the morning of December 8 to make final preparations... Chapman had neatley arranged and left behind a curious assortment of personal items on top of the hotel dresser. In an orderly semicircle, he had laid out his passport, an eight track tape of the music of Todd Rundgren, his little Bible, open to the The Gospel According to John (Lennon). He left a letter from a former YMCA supervisor at Fort Chaffee, Arkansas, where five years earlier, he had worked with refugees from the Vietnam War. Beside the letter were two photographs of himself surrounded by laughing Vietnamese children. At the center of the arrangement of personal effects, he had placed the small Wizard of Oz poster of Dorothy and the Cowardly Lion.

"I woke up knowing, somehow, that when I left that room, that was the last time I would see the room again," Chapman recalled. "I truly felt it in my bones. I don't know how. I had never seen John Lennon up to that point. I only knew that he was in the Dakota. But I somehow knew that this was it, this was the day. So I laid out on the dresser at the hotel room...just a tableau of everything that was important in my life. So it would say, 'Look, this is me. Probably, this is the real me. This is my past and I am going, gone to another place.'

"I practiced what it was going to look like when police officers came into the room. It was like I was going through a door and I knew I was going to go through a door, the poet's door, William Blake's door, Jim Morrison's door...I was leaving what I was, going into a future of uncertainty."

"Jack Jones has written a beautiful book, rare in its attention to the social context, giving rise to stalkers and assassins of celebrities...celebrity worship is ambivalent - admiration shares the altar with envy. When the worshipped celebrity disappoints, a 'nobody' can become a 'somebody' by killing the pop culture idol...Let Me Take You Down is both fascinating and brilliant."

(copied from the back cover)





 

Tuesday, July 26, 2022

Vintage Sci-Fi Paperback with Surrealistic Cover Art


Farmer In the Sky

by Robert A. Heinlein

Mayflower Books, 1968, 2nd Dell printing

mass market paperback

I had gotten past the road and maybe a quarter of a mile when it hit.

It knocked me flat on my face, the heaviest shake I had ever felt in my life. I lay down for a long moment, digging into the rock with my fingernails and trying to get it to hold still.

The seasick roll kept up and kept up and kept up and with it the noise - a deep bass rumble, deeper than thunder and more terrifying. 

The great adventure on Ganymede, with its prospect of hope for the future, had now become a tragedy. In one great, thunderous roar, nearly half the population had been wiped out. All of their spent knowledge and skills of the past had not prevented such a disaster. But could they go back to Earth - where the food supply was rationed, where homes were windowless cells occupied by many families? Or should they stay on Ganymede and work to make the planet safe for the generations to follow?

(copied from the back cover)




 

Monday, July 25, 2022

Visually Appealing Vintage Children's Book


The Picture Story of Hawaii

by Hester O'Neill

illustrated by Ursula Koerig

David McKay Company Inc., 1950

Imagine a place where you can be riding a speeding surfboard in your bathing suit at noon and by four o'clock that same afternoon find yourself in warm skiing clothes, winging your way down a snow-crested volcanic peak. This is Hawaii, a gay and exciting land, where the most modern American customs and those of old Polynesia go comfortably hand in hand. 

Little girls still dance the hula, but high school boys play the latest popular song from the mainland on their harmonicas. The traditional lei made be made of shark's teeth - or cellophane! Outrigger canoes dot the harbors, but huge transport planes fly overhead on scheduled trips between the Islands. Natives still wade along the shallow beaches and spear fish, but they fasten acetylene torches to their shoulders to light the midnight waters. 

This book describes an ancient luau and the modern Pineapple Festival on New Year's day. There is a visit to a grass hut and a tour through a modern sugar mill. The legend of Madame Pele is included - and the history of the University of Hawaii. Between the covers of this book are the Islands which one day may become the Forty-ninth state of the Union. 

(copied from the front inner dust jacket flap)






 

Wednesday, July 20, 2022

Vintage Art Books


African Masterpieces from Munich:

The Staatliches Museum fur Volkerkunde

by Maria Kecskesi

The Center for African Arts, 1987


 

Monday, July 18, 2022

Vintage Paperbacks with Interesting Cover Art


Equus

by Peter Shaeffer

Bard Books, 1975, 1st Bard edition/7th printing

GODS
of TERROR
in the 
MIND'S EYE

EQUUS is an electrifying journey into the mind of a 17-year-old stableboy who has plunged a steel spike into the eyes of six horses. As a psychiatrist explores the young boy's tortured psyche, the play becomes a shattering confrontation between the passionate spirit of the life force itself, and the distortions forced on the spirit by "civilized" society. 

(copied from the back cover)


 

Friday, July 15, 2022

Vintage Paperbacks with Psychedelic Covers


The Counterfeiters 

by Andre Gide

Vintage Books/Random House reprint, 1973

mass market paperback

The Counterfeiters, published in 1926 when Gide was fifty-seven, shocked many by its honest treatment of homosexuality and the collapse of morality in middle-class France. Its three themes - the problem of morals, the problem of the literary artist, and the problem of society - are strikingly illuminated as the protagonist, a young artist, pursues a search for knowledge in the relationships of his own adolescent relatives. 

Included in this edition is Gide's journal of The Counterfeiters, the day book he kept during the writing of the book, which provides a unique view into the mind of a great novelist at work.

(copied from the back cover)


 

Thursday, July 14, 2022

Vintage Paperbacks with Interesting Covers


In Cold Blood

by Truman Capote

Signet Books/New American Library

movie tie-in edition, 14th printing, 1968

mass market paperback

The spectacular bestseller about the brutal slaying of the Clutter family of Holcomb, Kansas - the police investigation, the capture, the trial, and the execution of the two young murderers, Richard Hickock and Perry Smith. "Capote has thrust the act of violence before the reader as if it were happening before his very eyes." - Time IN COLD BLOOD: now a major motion picture written for the screen and directed by Richard Brooks. A Colombia picture in Panavision.

(copied from back cover)


 

Book Review: Michael Manley: The Making Of a Leader by Darrell E. Levi

Michael Manley: The Making Of a Leader by Darrell E. Levi       Jamaica is a nation that got off to a rough start. As a post-colonial Caribb...