“Touch-a touch-a touch-a touch me/I wanna be dirty,” sang Janet Weiss, played by Susan Sarandon, in The Rocky Horror Picture Show. It could very well be the theme song of Roach, a character in Garbage World by Charles Platt since it fits his transformation from neat-freak to filth monger as the plot progresses. Roach is the pivot on which the novel turns. It is a book with a simple and unoriginal plot, and it makes a definite statement about class conflict, but it isn’t an entirely serious book and if you read it thatv way, it can be rewarding.
Somewhere in outer space there is a political entity called the United Asteroid Belt Pleasure Worlds Federation. While the asteroids these people inhabit are never fully described, we do learn that they are a high-tech civilization with high living standards, and an abundance of wealth. Their biggest problem is waste disposal. What they do is fill up blimps with garbage and then drop them on another asteroid named Kopra, which is also the Greek word for “feces”. The problem is that so much trash has been dropped on Kopra that the asteroid is fracturing under the weight and will soon break into pieces, spreading all the garbage throughout the immediate surroundings and ruining the cleanliness of the more developed asteroids in the federation.
Roach arrives in a spaceship with his commanding officer Larkin with plans to move the inhabitants of Kopra off the asteroid until they are able to fix it to prevent the catastrophe. The people living on Kopra are led by Gaylord, a giant bearish man with no sense of cleanliness or refinement. He earned his status as leader by accumulating the biggest hoard of junk which he has organized and labeled like pieces in a museum in his basement. His hoard makes Gaylord powerful because he is resourceful enough to know what to do with all his garbage when the time requires it. Larkin and Roach are anal-retentive germaphobes, but Gaylord finds common ground with Roach and a friendship grows between them. Roach also falls in love with Gaylord’s daughter Juliette. Gaylord also has a son named Oliver who leans a little bit more to the clean side and secretly agrees to help Larkin who has not been entirely honest about their mission on Kopra.
Roach is a bit of a humanitarian whose job is to collect information about the inhabitants of Kopra. He goes about studying them like an anthropologist. By that I mean he studies them with all the haughtiness and contempt that anthropologists in the colonial era studied so-called “primitive societies”. Still he cares enough about the Koprans to want to save them from their dirty and lowly status in the universe. Larkin, however, cannot be trusted and his plan is to exterminate the people there along with his efforts to prevent Kopra from exploding and polluting the entire asteroid belt with the filth his people have dumped on Kopra.
There are other inhabitants on the asteroid they call the Nomads. They live in the jungle under much rougher conditions and also survive by scavenging the junk that falls in blimps from the sky. Roach sets out with Gaylord and Juliette to find the Nomads so they can bring them back to the spaceship to be taken away while the asteroid of Kopra gets repaired. However, somebody sabotaged their vehicle and they come close to death, but the nomads save them from disaster. T o their surprise, the nomads turn out to be peaceful and hospitable people. The whole middle section of this novel is a series of adventures in the strange and dirty landscape of Kopra. Along the way, Roach begins to respect the Koprans more and more as he becomes accustomed to being dirty and gradually adapting to the environment of filth.
Roach’s transformation is complete when he falls into a warm mud pit with Juliette and the two get it on, having some truly dirty sex. This was actually my favorite part of the novel; Platt’s description of love making while submerged in warm and slimy mud was actually quite arousing. It wasn’t overly described either. There was just enough there to give you the tactile sensation necessary to make Kopra seem like it could actually be a nice place to visit. Needless to say, Roach has gone native at this point and, for him, there is no turning back.
Beyond that, I will just say you have to read the book to find out what happens.
Garbage World is a lot like the pulp science-fiction adventure stories of the 1920s and I am sure the author was aware of that. Those stories often had a colonialist mentality either latent or overt. A courageous spaceman travels to another planet or another dimension and encounters tribes of dangerous creatures that often bear the physical characteristics of non-European people. The hero falls in love with a local female and manages to escape before getting chopped up and eaten, killed by bug-eyed monsters, or flayed with primitive lasers. Garbage World turns this whole fictional paradigm on its head. In the post-colonial 1970s, there were more than a few social scientists pushing the idea that colonial subjects were just as human as the colonists and deserved to be treated as such. Charles Platt obviously took a cue from this change in attitudes and wrote Garbage World. It is an obvious critique of the way people in developed countries treat people in the Third World. The people of Kopra are portrayed as being resourceful and intelligent enough to make the most of their living conditions, even thriving on Kopra, finding happiness and the full realization of their human potential. Meanwhile the neat-freaks who invade their territory are the ones who created the conditions on Kopra and then plot to destroy them for being dirty, useless, and primitive. The dirty people of Kopra are the good ones while their technocratic adversaries reveal a link between colonialism, fascism, and obsessive cleanliness. By the end of the book, dirtiness is a virtue and Kopra looks like a borderline utopia. This book also reflects the growing concerns over ecology and environmentalism of the times in the 1970s.
Charles Platt’s Garbage World is a simple book on the surface. It was written primarily for entertainment. But when looked at in the context of the time when it was written, and the chronological space it holds in the progression of science-fiction writing, it makes a definite humanitarian statement. Despite the statement it makes, it is not a serious work of literature and it should not be approached as one. But if read solely for fun, the morality of the story may come out a lot more strongly. So go ahead and read it for fun and see what happens. Just don’t hide it under your mattress so your mother won’t find it; it’s not that kinds of a dirty book. And if anybody ever wants to have some filthy sex in a warm mud puddle, remember this book and don’t deny yourself that opportunity.
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